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Mr.
Bharath
Rajnikanth enjoyed a fruitful association with
S.P.Muthuraman, the two of them giving huge commercial
hits like Murattu Kaalai and Nallavanukku Nallavan under
the AVM banner. Mr.Bhaarath, once again for AVM
productions, was one of their less successful ventures. On
paper, the movie has all the ingredients for a surefire
hit. Apart from the proven Rajnikanth-S.P.Muthuraman
combination, it also has Satyaraj, who was proving to be a
very popular villain, Ilaiyaraja's music and was based on
an Amitabh starrer Trishul, a huge hit in Hindi. Though
the first half of the movie is good, a boring second half,
capped by a weak climax, affects its overall entertainment
value.
Bhaarath(Rajnikanth) learns that his mother was cheated
and left in the lurch by Gopinath(Satyaraj), who has since
then gone on to earn great wealth in the contruction
business in Madras. Swearing to make his father publicly
admit that Bhaarath was his son, Bhaarath travels to
Madras and enters the construction business. Mostly
employing dishonest ways, he one-ups Gopinath in the
procurement of several contracts and pretty soon, Gopinath
comes to recognise him as a worthy adversary. With the
help of a teashop owner(Koundamani) and his sister(Viji),
Bhaarath also enters Gopinath's personal life, setting up
the marriages of both his son(S.V.Sekhar - Wonder what
Shashi Kapoor, who played the role in the Hindi version,
thought of this choice!) and his daughter.
The bulk of the movie is occupied by the business rivalry
between Bhaarath and Gopinath and the ways in which
Bhaarath wins most of the contracts right from under
Gopinath's nose. These segments are handled
entertainingly. The way Bhaarath first earns his money and
the ploy he uses to bribe a supposedly uncorruptable
officer are pretty clever. There is also an element of
surprise since Bhaarath also loses one contract(though
this sets the stage for his romance later on). The
conversations between Rajnikanth and Satyaraj during these
segments are well-written. While Gopinath's portion of the
dialogs are purely to a business enemy, Bhaarath's
portions also include some double entendres about the
relationship between Gopinath and him. Both have fun
during the Ennammaa Kannu... song, one of the highlights
of the movie. It is sung heartily by SPB(for Rajnikanth)
and Malaysia Vasudevan(for Satyaraj).
Rajnikanth's involvement in Satyaraj's personal life leads
to both the best and worst parts of the film. The scene
where he plays Kadhiresa Kounder, when Satyaraj comes to
fix up the wedding of his daughter, is very well handled.
This gives him an oppurtunity to echo the same dialogs
that Satyaraj spoke years ago to his mother. There is more
fun ahead when Satyaraj returns with his wife, only to
find the original Kounder(Visu). Vadivukkarasi's reaction,
when she thinks he might be seeing visions, is hilarious.
On the other hand, his fixing up the marriage of
S.V.Sekhar and Viji leads to the least interesting
portions of the movie. For this segment, Rajnikanth plays
Mannaaru, a rickshaw driver and alongwith Koundamani and
Viji, sets up tent in Satyaraj's house. This segment seems
cheap and Viji's dance for Pacha Molagaa... is vulgar and
targeted at the front benchers. The sequence also ends
rather abruptly and in the end, seems to have achieved
nothing at all.
Rajnikanth has perfected the angry, young man role and
breezes through the movie. But there is little scope for
comedy or romance and he goes through most of the movie
with a scowl on his face. Satyaraj's dialog delivery is
his strength as a villain and he puts it to good use here,
both in the scene where he brushes off Sarada after
cheating her and later, when he competes with Rajnikanth.
With these two big players, others in the cast scarcely
have any screen time. Ambika is the biggest loser,
completely disappearing in the second half before
reappearing for the climax. Koundamani and S.V.Sekhar have
a few funny lines.
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